Human sacrifice

Screen Shot 2015-05-22 at 4.37.01 PMSacrificial backpacker-maiden, Vat Phu, from loupiot.com

The earliest evidence of human sacrifice among the Khmers might be this stone crocodile at Vat Phu Champasak. Today it’s in Laos, but it’s a Khmer temple dating from the 5th century, the very dawn of the Khmer kingdom.  (The current temple is from the 11th/13th centuries – more on Wikipedia).

image-4Crocodiles keep turning up. Every time a funeral is held a white flag is flown nearby. According to legend the custom commemorates a magical crocodile who ate a princess. The king killed the croc and hung his hide up at the place where his daughter’s ashes were enshrined, which was the start of the custom. After a while crocs became too difficult to find, and so the flag is now used instead. This relates to human sacrifice because the princess’s hundred handmaidens were supposedly buried under the hundred columns of the temple  (this post has slightly different details, and mentions sacrifices for bridges).

There’s a pretty well documented report of a royally-sponsored human sacrifice at Ba Phnom, a sacred mountain near Phnom Penh, in 1877 (a prisoner taken at the end of a brief insurrection, but not simply executed, as there were strong religious overtones). A neak ta (local spirit) called Neak Ta Krol was receiving sacrifices as recently as 1904 – I got the little I have on that from an encyclopedia called Asian Mythologies, entry on Cambodian earth deities by Solange Thierry, who’s a highly reliable source, but no idea where it ultimately comes from – shocked French administrators putting a stop to it, perhaps? Someone should ask them about the symbolism of the Eucharist – at least the Cambodians weren’t eating the victims.

bchruoychangvabridgeJapanese Bridge destroyed by the Khmer Rouge, 1973. From Getty images, entirely without permission.

Much more recently, there were rumours in the early 1970s that the government authorities were kidnapping children and burying them under the Japanese Friendship Bridge, which connects Phnom Penh to the north. The idea was that the spirits of the sacrificed children would protect the bridge from the Khmer Rouge.  The story is in the Phnom Penh Post. The person telling the story says he didn’t believe it at the time – but interesting that such a rumour should even be circulating.

6214-773181Seima stone showing the earth-goddess Torani (pronounced torr-nee). This stone is flat-faced, but the stone buried in the pits around the shrine hall is spherical. From Andy’s Cambodia.

And then of course there’s human sacrifice and monastic boundaries. When a monastery is being established or re-established, the shrine hall has to be marked off from the secular world. Eight sacred stones, called seima, are buried in pits at the eight compass points and half-points (north, south, etc). A ninth stone is buried at the centre of this space, directly in front of the main Buddha image – this one represents the god Indra, king of Meru and the gods (because good Buddhists do believe in Hindu gods). Nowadays these stones are just stones, albeit holy ones, but they are the size and shape of a human head.

thuggee-from-indiana-jones

If you’d like to learn more about human sacrifice around the world, with a focus on Europe and the British Isles, I recommend the blog which calls itself Bizarre History. In fact I recommend that blog for everything.

Smoked babies, part 1.

Screen Shot 2015-04-16 at 4.18.16 PMCover illustration from Trude Jacobsen’s “The Lost Goddesses”

Steven Prigent’s paper UN FŒŒTUS HUMAIN POUR AMULETTE (in French, obviously), is divided into three parts, preceded by an introduction. This is a summary of Part I, “La rumeur de l’enfant fume”:

LA RUMEUR DE « L’’ENFANT FUMÉ » (KUN KRAK)

  • Koan kroh can be obtained either from a woman who has died in childbirth, or from a living pregnant woman. The woman in the second case will end up as dead as the woman in the first.
  • In the first case, the man “awakens” the corpse of the woman (who has been buried with the fetus) by magic. He must then ask and receive the dead woman’s permission to take the fetus. This will be difficult for him, because the awakened corpse will cause great fear. (See the material from Trude Jacobsen below).
  • According to Ang Choulean (says Prigent – I haven’t found Ang’s paper on the subject), a fetus obtained from a woman who is already dead in childbirth is less powerful than one obtained from a living mother. Prigent believes that the preferred course is to obtain a living fetus, which is to say, a fetus from a living mother.
  • The word krak (which is how Prigent gives it – others have “kroh” or “kroach” or other variants) has been explained by Ang Choulean as “to grill, smoke, dessicate.” Prigent says that the word “kun” should be translated not just as “child” but as “child of….” There seems to be no exact parallel in English. The point is that the term implies the forging of a filial link between the fetus and the man who takes it. (Takes, that is, from the mother). The man becomes not merely its father, but its sole family, since the mother dies.
  • The kun krak is thus not just the possession of the man who possesses it as an amulet, but also his son. (The amulet is regarded as masculine, and indeed most often is).
  • The man (owner of the amulet) is usually a soldier; the woman (mother) may be his mistress or wife; the fetus must be a first child (and as the mother is either dead or, more often, about to die, also an only child).
  • If taken from a living mother (wife or girlfriend), the man spends “an intimate moment” with her (presumably Prigent means they have sex); he then asks jokingly if she will give him the child in her belly; the woman, believing this is a game, says yes. The man immediately cuts her open and takes the fetus. The willing and verbal donation of the child by the mother is essential to the power of the amulet.
  • The fetus itself is between two worlds, a soul caught “crossing the river” from unborn to born; this presumably accounts for its psychic potency. (Consider how ghosts also come at late evening or early morning rather than midnight or midday).

Trude Jacobsen in “The Lost Goddesses” has a little on the procedure and dangers if the fetus is obtained from a woman who has died in childbirth:

Women who died in the third trimester of pregnancy or in labour without having given birth were said to have been killed by brai (a kind of witch-spirit) and could become brai themselves if, three days following the burial, a man “sufficiently audacious and resolved” carried out a certain ceremony. After establishing a sima (boundary of holy stones) around the corpse, he was to place an image of an eight-headed brai in the centre of the room and recite magical incantations. The woman would rise from the dead as a brai after the third repetition … making horrible faces, lolling an enormous tongue, rolling her eyes, and taking on the forms of a serpent, tiger and elephant. If the man showed any fear he would be consumed…

…but if he didn’t the woman would give up her unborn child. Elsewhere Jacobsen mentions that the KR obtained koan kroh in order to guard against enemy bullets etc, and a rumour that Hun Sen possesses a number of them. This is not to say that Hun Sen really has these things, but the existence of the rumour illustrates that the belief in their power still continues.

Spirit-flags

Cambodian spirit-flags have long fascinated me. Their functions are pretty clear – they’re to signal that something is going on, a festival or funeral or whatever. Aesthetically they’re genuine art, elegant and original. Their origins and symbolism, however, are totally obscure. This post is a summary of the best article I could find on the ‘net, a guest post by Dr Rebecca Hall on the blog Alison in Cambodia. The photos are also hers – I’ve not had much luck photographing banners, they tend to blow in the wind and they’re a long thin shape that doesn’t fit easily in a normal 2:3 photo.

image-3The Khmer word for a flag or banner is tung, and the commonest type is the tung rolok. These are the ones you see in the grounds of monasteries, usually outside the main prayer hall (the preah vihear). I’ve been told that they should always go behind the hall, never in front of it – but in Phnom Penh they’re always in front of it, never behind. The friend who told me this was quite shocked.

The tung rolok announces a festival or celebration. As the photo shows, they’re huge. The number of bamboo rods through the body indicates who’s being honoured – father, mother, monks, Buddha, the teaching, etc.

Note the overall structure of the flag: a triangular “head,” a body, and two “feet” at the bottom. Note also the dark patch of cloth at the crotch, where the genitalia would be if this were what it looks like, a humanoid figure. Note also the little triangular pennons off the main body.

image-6Next is the tung sasana, the “religion flag”. The idea of a flag for Buddhism came from an international conference in Sri Lanka in the early 1950s, and all Theravadin countries have adopted it. The colours stand for the multi-coloured rays of light that broke forth from the Buddha at the moment of his enlightenment, illuminating the entire world. They symbolise the various attributes of the Buddha; there were five rays each of a pure colour, and one of the other five mingled.

So this banner is comparatively new, but it’s become completely acculturated and is frequently seen around monasteries – and unfortunately I have no idea exactly what it’s function is.

Finally we come to the most interesting banner. Dr Hall’s informants, who were mostly abbots and achars (achars are the monastery’s experts in ritual) all told her they were called tung aphithoam. I gather that aphithoam is the Khmer pronunciation of abhidamma, which is Buddhist metaphysics. Dr Hall had been expecting to hear them called tung krapeu, meaning crocodile banner, but the abbots and achars never did. Her translators called them crocodiles, but not the experts.

image-4Here’s the tung aphithoam/tung krapeu. It looks very like the tung rolok, but it’s always white. It’s a death-banner. It’s hung outside a house where someone has recently died, and stays up for 3 to seven days, both being significant periods in the life of the new ghost.

And their function…  Dr Hall’s informants told her it’s to tell people there’s a death and funeral. The cremation takes place at the end of the seven days, with a big funeral feast.

I wonder though. In these seven days between death and cremation the ghost stays around the house, not yet aware that it’s dead. It’s invited into a new “house” (the coffin), and the word “coffin” must never be mentioned lest it be frightened. In other words, the seven days immediately after death is an extremely risky period for the ghost, and so I wonder if the flags have something to do with it – but I don’t know for sure.

And what about the crocodile? The reason Dr Hall was expecting to be told that this is a crocodile flag is that that’s the way it’s described in the scholarly Western literature. One very famous study links the crocodile to the naga, and suggests that the original earth-spirit of the Khmers, before nagas arrived from India, was the crocodile. Crocodile and naga and Preah Torani the earth-goddess all tie together, somehow, though it’s not for me to say just how. But for sure, earth-gods combine the functions of death and fertility (those patches on the groin of the tung rolok), and when I was walking around the monasteries of Phnom Penh with my friend, the one who was shocked to find banners at the front of the prayer halls, everyone we spoke to called them crocodile flags. And those little triangular pennons make the “body” look very crocodilian to my mind, though I’ve never seen them discussed.

image-7There’s a story. Once upon a legendary time there was a monk who transformed himself into a crocodile and swallowed a princess. Bad croc. The king sent his army to rescue the princess, but alas, when they cut open the belly of the beast they were too late, and beauty was dead. So they skinned the crocodile and hung its hide up at her funeral.

That particular story ties in with ritual human sacrifice traditions (it has to do with the pagoda where the princess’s funeral was held, and a requirement for sacrificial virgins), but this post is long enough already.

Neak ta: the White Mother and human sacrifice

Main shrine at Ba Phnom - photo by "doonstra", Trekearth (http://www.trekearth.com/gallery/Asia/Cambodia/East/Prey_Veng/photo360519.htm)

Main shrine at Ba Phnom – photo by “doonstra”, Trekearth (http://www.trekearth.com/gallery/Asia/Cambodia/East/Prey_Veng/photo360519.htm)

The last human sacrifice in Cambodia took place at Ba Phnom, in Prey Veng province, 80 kilometres east of Phnom Penh and 45 kilometres south of the provincial capital, in 1877. An inscription from 629 AD describes the mountain as sacred to the god Shiva, but today the mountain is a centre for neak ta, the protective spirits of places, from villages to provinces and entire regions.

The neak ta of Ba Phnom is Me Sar, the White Mother. (Not only of Ba Phnom: she’s found throughout Cambodia). Me Sar’s origins are mysterious, but she’s probably the modern incarnation of the Hindu goddess Durga, who as Parvati is the consort of Shiva.

The story of the 1877 sacrifice was told to scholars from the Buddhist Institute in 1944 by an old man who had witnessed it as a boy. The victim was a man already sentenced to death for a serious crime, possibly for being a soldier of a rebel army.  Locked in a neck-stock and followed by a large crowd, he was led around the various shrines at Ba Phnom and allowed to take part in rituals at each before being beheaded at the shrine of Me Sar. “The people looked to see what direction the victim’s blood fell,” wrote the Buddhist Institute scholars. “If it fell evenly, or spurted up, then rain would fall evenly over the entire district, but if the blood fell to one side, rain would fall only on that side of the district.”

Human sacrifice has, of course, a long association with fertility – a Chinese traveller in the middle ages reported about a king in what is now southern Laos who sacrificed a human victim once a year to ensure the rains and crops.

At Ba Phnom the victim’s head was impaled and offered up to Me Sar, while his body was cut into pieces and offered to Me Sar and to the neak ta called Sap Than (“spirit of everyplace”) and Tuol Chhnean (“spirit of fishing basket mound”).

Festival at Ba Phnom, 2011 - photo by Jonas Kroyer (http://www.jonaskroyer.com/photography/)

Festival at Ba Phnom, 2011 – photo by Jonas Kroyer (http://www.jonaskroyer.com/photography/)

The sacrifice took place during a festival called Loeng Neak Ta, “raising the ancestor-spirit”, which is still held. In 2006 the Phnom Penh Posty visited the festival, and an old man told the journalists that as a boy he had witnessed a sacrifice, but the victim was a buffalo rather than a condemned criminal or rebel. He also told the Post a legend about Ba Phnom involving a king who had been beheaded by the magical trick of an enemy. His quick-thinking wife was Me Sar, who ordered replaced the missing part with an elephant’s head – a story with faint overtones of the elephant-headed Hindu god Ganesh.